The last couple of days, I've felt like I've been in a total brain fog, which is not a good thing for a writer/blogger. My attention jumps from piece to piece as I'm writing. I probably shouldn't have sixteen pieces open at once in my word processor, but there it is.
I did, however, manage to finish two more pieces from Bead Riffs last night and get started on another one!
I have been just itching to make those lovely little Nightingale earrings. The idea of stitching together all those tiny, shiny little Swarovski rounds just tickled me! Once the pieces were finished, I was genuinely happy with my color choice of Crystal Copper for these earrings. I seem to be gravitating towards copper and warm brown tones lately, and these will go nicely with a number of sweaters and shirts I have for winter.
The only mishap occurred when I tried to attach the earrings to the fancy sterling ear wires that I got for the project. (They were similar to the ones pictured in the book, and not the sterling round hoops you see in the picture.) I went to gently open the bottom loop of the second ear wire to add the finished earring and the loop broke right off! Considering what I paid for them, I was a little annoyed, but decided that they look just as nice on the round hoops. Unfortunately, those round hoops are NOT comfortable for me to wear, so I'm probably going to find another pair of fancy ear wires for these.
Then I started in on Drop Me Off in Harlem, another 3-dimensional right-angle weave project that I was fascinated with making.
It's truly a stunning pendant, and it came together so easily! I stitched up both bases in just over an hour, and the embellishment itself only took me another hour or so. Stitching it together took no time at all, and now all I need is a chain for it!
Similar to the Night In Tunisia necklace, the real shape of this piece didn't come together until the last step when I was stitching the bases together. But it felt wonderful in my fingers as the curves and angles came out, and I'm also pleased with my color choice of a permanent-galvanized rose gold seed bead from Beyond Beadery.
The only thing that really gave me problems was figuring out how to attach the rose montees to the top of the peyote bumps during the embellishment. I always felt like there was too much thread showing, and trying to keep those little crystals from flipping over before I could make the second and third thread passes was a challenge, too. Which leads me to....
The beginnings of 'Round Midnight! The color of this piece in the book is metallic silver, but I wanted to do something bright and cheery. I got these permanent silver-lined fuchsia from Beyond Beadery at Bead Fest a few years ago, and I've had the size 15s in this color for so long that I can't remember where I got them. (Beadin' Path? Whimbeads? I have no idea.)
If I want to master the art of adding montees to peyote bumps, this is going to be the piece that does it. I've got to add 12 montees to 12 peyote bumps. Three down, nine to go...
I really want to dive in to some of the larger and more complex pieces in the book, but I'm afraid those are going to have to wait until 2012. >sigh< I've got three big beading deadlines coming up in December, and even with NaSeeBeMo, I'll have to put off anything else until after Colden's birthday in January.
For now, though, I'm really thrilled with all the little sparkly pieces from Bead Riffs that are making their way into my jewelry box!